El Muerto

Just for Wendy.

The Noonday Devil

I am not a Satanist and don't really know much about Satanism, to be honest. I just thought the pictures were hella cool...no pun intended.

Geisha

Geisha (芸者?), Geiko (芸子?) or Geigi (芸妓?) are traditional, female Japanese entertainers whose skills include performing various Japanese arts such as classical music and dance.
Geisha (pronounced /ˈɡeɪʃә/), like all Japanese nouns, has no distinct singular or plural variants. The word consists of two kanji, 芸 (gei) meaning "art" and 者 (sha) meaning "person" or "doer". The most literal translation of geisha into English would be "artist" or "performing artist". Another name for geisha used in Japan is geiko, which is usually used to refer to geisha from Kyoto.
Apprentice geisha are called maiko(舞子, lit. "dance child"). Maiko's white make-up and elaborate kimono and hairstyle is the popular image held of geisha. A woman entering the geisha community does not have to start out as a maiko, having the opportunity to begin her career as a full geisha. A woman above 21 is considered too old to be a maiko and becomes a full geisha upon her initiation into the geisha community. However, those who do go through the maiko stage can enjoy more prestige later in their professional lives.
Tokyo geisha generally do not follow the ritualized Kyoto maiko apprentice process. The training period can be six months to a year—notably shorter than a Kyoto maiko—before she debuts as a full geisha. The trainee is referred to as a han'gyoku (半玉), or "half-jewel" (meaning that they are paid half the wage as opposed to a full geisha), or by the more generic term o-shaku (御酌), literally "one who pours (alcohol)". On average, Tokyo geisha tend to be older than their Kyoto counterparts, many holding formal degrees from university.





A maiko will start her formal training on the job as a minarai. Before she can do this she must find an onee-san ("older sister": an older geisha acting as her mentor). It is the onee-san's responsibility to bring her to the ozashiki, to sit and observe as the onee-san is at work. This is a way in which she will gain insights of the job, and seek out potential clients.
After a short period of time the final of training begins, and the students are called maiko. Maiko (literally "dance girl") are apprentice geisha, and this stage can last for years.



Maiko learns from their senior geisha mentor and follows them around to all their engagements. The onee-san and imouto-san (senior/junior, literally "older sister/younger sister") relationship is important. Since the onee-san teaches her maiko everything about working in the hanamachi, her teaching is vital. There are 5 different hairstyles that the maiko wear, that mark the different stages of her apprenticeship. She will teach her proper ways of serving tea, playing shamisen, dancing, casual conversation and more. The onee-san will even help pick the maiko's new professional name with kanji or symbols related to her name.
After a period as short as six months (in Tokyo) or as long as five years (in Kyoto), the maiko is promoted to a full-fledged geisha in a ceremony called erikae (turning of the collar).




There remains some confusion, even within Japan, about the nature of the geisha profession. Geisha are regarded as prostitutes by many Westerners. However, legitimate geisha do not engage in paid sex with clients. Their purpose is to entertain their customer, be it by dancing, reciting verse, playing musical instruments, or engaging in light conversation. Geisha engagements may include flirting with men and playful innuendos; however, clients know that nothing more can be expected. In a social style that is common in Japan, men are amused by the illusion of that which is never to be.



During the Edo period, prostitution was legal. Prostitutes such as the oiran worked within walled-in districts licensed by the government. In the seventeenth century, the oiran sometimes employed men called "geisha" to perform at their parties. Therefore, the first geisha were men. In the late eighteenth century, dancing women called "odoriko" and newly popular female geisha began entertaining men at banquets in unlicensed districts. Some were apprehended for illegal prostitution and sent to the licensed quarters, where there was a strict distinction between geisha and prostitutes, and the former were forbidden to sell sex. In contrast, "machi geisha", who worked outside the licensed districts, often engaged in illegal prostitution. While it is true that a geisha is free to pursue personal relationships with men she meets through her work, such relationships are carefully chosen and unlikely to be casual. A hanamachi tends to be a very tight-knit community and a geisha's good reputation is not taken lightly.

Misemono

These dolls are thought to be part of a 'Misemono' side show. Misemono literally means "shows" or "exhibits" and were an inalienable part of the Japanese urban landscape during the edo period. Many of the shows were briefly put on and were characterized by their crudeness. The term misemono dates from the Edo period, although plausible forerunners of the performances appear already in the late medieval period. Among the likely antecedents of Edo period shows were benefit performances undertaken to raise funds for shines or temples. The shows were unhampered by attempts to conform to a traditional artists type and thus provide a valuable index to evolving popular taste.





In the 18th and 19th centuries, sideshow carnivals known as misemono were a popular form of entertainment for the sophisticated residents of Edo (present-day Tokyo). The sideshows featured a myriad of educational and entertaining attractions designed to evoke a sense of wonder and satisfy a deep curiosity for the mysteries of life. One popular attraction was the pregnant doll. Although it is commonly believed that these dolls were created primarily to teach midwives how to deliver babies, evidence suggests they were also used for entertainment purposes. Records from 1864 describe a popular show in Tokyo’s Asakusa entertainment district that educated audiences about the human body. The show featured a pregnant doll whose abdomen could be opened to reveal fetal models depicting the various stages of prenatal development.

Edward Hull~ Watercolourist

Edward Hull (1823 – 1906), a well-known illustrator and watercolour painter, exhibited at the Royal Academy in London.
Born in Keysoe in Bedfordshire, England, the second son of a farmer, he painted many watercolours but was mainly known as a book illustrator. He was employed for many years up to 1861 by The Illustrated Times the best-known publication in London, and was an illustrator for several books such as Stratford on Avon by Sidney Lee (published around 1890) and The Laureate's Country (a book on Alfred Tennyson) by Alfred J. Church, published around the same time.
Edward Hull symbolises the spirit of illustration in the 19th Century. The great illustrators such a Phiz (who illustrated many of Dickens's books) are well known. Edward Hull represents the many who plied their trade in periodicals and books before the advent of photography in the early 20th Century.
Edward Hull was born in Keysoe, Bedfordshire, but lived most of his life in London. He travelled widely in England as his paintings and illustrations show. He married and had two daughters and three granddaughters. He died on 3 February, 1906 and is buried in St Peters Church in Sharnbrook in Bedfordshire.

Past-Mortem

Anyone who suffered through the emotional rape of bullying, whether it happened on the playground in kindergarten or in the employee break room last week, should read this novel.

And yes, that is Ben Elton as in "The Young Ones" Kendall Mintcake.

It's not the most perfect book ever written - the ending is predictable as hell and the character of Natasha is an annoying stereotype - but the points that the book has to make about the long lasting effects of bullying are spot on. It's a gruesome little mystery that'll have you wincing at the depictions of rough sex as much as at the manner of murder that a British serial killer employs to exact revenge on the toughest of bullies.

Have a read, why don't you?

The Fox Sisters

The Fox sisters were three women from New York who played an important role in the creation of Spiritualism, the religious movement. The three sisters were Kate Fox (1837–1892), Leah Fox (1814–1890) and Margaret Fox (also called Maggie) (1833–1893).

In 1848, the two younger sisters – Kate and Margaret – were living in a house in Hydesville, New York with their parents. Hydesville was a hamlet which no longer exists but was part of the township of Arcadia in Wayne County. The house had some prior reputation for being haunted, but it wasn't until late March that the family began to be frightened by unexplained sounds that at times sounded like knocking, and at other times like the moving of furniture.
In 1888, Margaret told her story of the origins of the mysterious "rappings" :
"When we went to bed at night we used to tie an apple to a string and move the string up and down, causing the apple to bump on the floor, or we would drop the apple on the floor, making a strange noise every time it would rebound. Mother listened to this for a time. She would not understand it and did not suspect us as being capable of a trick because we were so young."
During the night of March 31, Kate challenged the invisible noise-maker, presumed to be a "spirit", to repeat the snaps of her fingers. "It" did. "It" was asked to rap out the ages of the girls. "It" did. The neighbours were called in, and over the course of the next few days a type of code was developed where raps could signify yes or no in response to a question, or be used to indicate a letter of the alphabet.




The girls initially addressed the spirit as "Mr. Splitfoot" which is a nickname for the Devil. Later, the alleged "entity" creating the sounds claimed to be the spirit of a peddler named Charles B. Rosma, who had been murdered five years earlier and buried in the cellar. Doyle claims the neighbours dug up the cellar and found a few pieces of bone, but it wasn't until 1904 that a skeleton was found, buried in the cellar wall. No missing person named Charles B. Rosma was ever identified.
Margaret Fox, in her later years noted:
"They [the neighbors] were convinced that some one had been murdered in the house. They asked the spirits through us about it and we would rap one for the spirit answer 'yes,' not three as we did afterwards. The murder they concluded must have been committed in the house. They went over the whole surrounding country trying to get the names of people who had formerly lived in the house. Finally they found a man by the name of Bell, and they said that this poor innocent man had committed a murder in the house and that the noises had come from the spirit of the murdered person. Poor Bell was shunned and looked upon by the whole community as a murderer."

Kate and Margaret were sent away to nearby Rochester during the excitement — Kate to the house of her sister Leah, and Margaret to the home of her brother David — and it was found that the rappings followed them. Amy and Isaac Post, a radical Quaker couple and long-standing friends of the Fox family, invited the girls into their Rochester home. Immediately convinced of the genuineness of the phenomena, they helped to spread the word among their radical Quaker friends, who became the early core of Spiritualists. In this way appeared the association between Spiritualism and radical political causes, such as abolition, temperance, and equal rights for women.




The Fox girls became famous and their public séances in New York in 1850 attracted notable people including William Cullen Bryant, George Bancroft, James Fenimore Cooper, Nathaniel Parker Willis, Horace Greeley, Sojourner Truth and William Lloyd Garrison. They also attracted imitators, or perhaps encouraged people who previously had hidden their gifts. At any rate, during the following few years, hundreds of persons would claim the ability to communicate with spirits. Both Kate and Margaret became well-known mediums, giving séances for hundreds of "investigators," as persons interested in these phenomena liked to call themselves. Many of these early séances were entirely frivolous, where sitters sought insight into "the state of railway stocks or the issue of love affairs," but the religious significance of communication with the deceased soon became apparent. Horace Greeley, the prominent publisher and politician, became a kind of protector for the girls, enabling their movement in higher social circles. But the lack of parental supervision was pernicious, as both of the young girls began to drink wine.




Over the years, sisters Kate and Margaret had developed serious drinking problems. Around 1888 they became embroiled in a quarrel with their sister Leah and other leading Spiritualists, who were concerned that Kate was drinking too much to care properly for her children. At the same time, Margaret, contemplating a return to the Roman Catholic faith, became convinced that her powers were diabolical.
Eager to harm Leah as much as possible, the two sisters traveled to New York City, where a reporter offered $1,500 if they would "expose" their methods and give him an exclusive on the story. Margaret appeared publicly at the New York Academy of Music on October 21, 1888, with Kate present. Before an audience of 2,000, Margaret demonstrated how she could produce – at will – raps audible throughout the theater. Doctors from the audience came on stage to verify that the cracking of her toe joints was the source of the sound.
Margaret recanted her confession in writing in November, 1889, about a year after her toe-cracking exhibition. Kate's first letters back to London after Margaret's exhibition express shock and dismay at her sister's attack on Spiritualism, but she did not publicly take issue with Margaret. Within five years, both sisters died in poverty, shunned by former friends, and were buried in pauper's graves.

Annabel Lee (excerpt)

Who's Thirsty?

Memorial Day and The Purple Heart

Allow me to indulge a bit with this post, as the subject is one of meaning to me personally. While posting on this subject I thought to also Honor my own Grandfather Ladislave 'Laddie' Batha, whom I never had the pleasure of meeting, except in his well written letters home- all of which I am lucky enough to have. Several years of dialog between he and his sisters- the letters read like a book and give a unique and detailed look into the life of a WWII Serviceman. Most of us are fortunate enough to enjoy a 'free' day off on this day- Memorial Day but may not give a whole lot of thought to what it means. The photos included are of my Grandfathers grave in England 1945 ( he was disinterred and brought back after the War to his native Chicago), his Memorial service in England 1945, him at home Chicago before shipping out for the last time 1943, him in his flight gear 1944, him with his flight crew in England 1944 ( only 2 of the crew survived the crash), and finally his Purple Heart award. Here is a little history about Memorial Day and the Purple Heart as a reminder not to take our freedoms lightly.


Memorial Day is a United States federal holiday observed on the last Monday of May (May 25 in 2009). Formerly known as Decoration Day, it commemorates U.S. men and women who died while in the military service. First enacted to honor Union soldiers of the American Civil War (it is celebrated near the day of reunification after the Civil War), it was expanded after World War I to include American casualties of any war or military action.

Following the end of the Civil War, many communities set aside a day to mark the end of the war or as a memorial to those who had died. Some of the places creating an early memorial day include Sharpsburg, Maryland, located near Antietam Battlefield; Charleston, South Carolina; Boalsburg, Pennsylvania; Petersburg, Virginia; Carbondale, Illinois; Columbus, Mississippi; many communities in Vermont; and some two dozen other cities and towns. These observances coalesced around Decoration Day, honoring the Union dead, and the several Confederate Memorial Days.
According to Professor David Blight of the Yale University History Department, the first memorial day was observed by liberated slaves at the Washington Race Course (today the location of Hampton Park) in Charleston, South Carolina. The race course had been used as a temporary Confederate prison camp in 1865 as well as a mass grave for Union soldiers who died there. Immediately after the cessation of hostilities, freed slaves exhumed the bodies from the mass grave and reinterred them properly with individual graves. They built a fence around the graveyard with an entry arch and declared it a Union graveyard. The work was completed in only ten days. On May 1, 1865, the Charleston newspaper reported that a crowd of up to ten thousand, mainly black residents, including 2800 children, processed to the location for a celebration which included sermons, singing, and a picnic on the grounds, thereby creating the first Decoration Day.





The official birthplace of Memorial Day is Waterloo, New York. The village was credited with being the place of origin because it observed the day on May 5, 1866, and each year thereafter. The friendship between General John Murray, a distinguished citizen of Waterloo, and General John A. Logan, who helped bring attention to the event nationwide, and was likely was a factor in the holiday's growth.
Logan had been the principal speaker in a citywide memorial observation on April 29, 1866, at a cemetery in Carbondale, Illinois, an event that likely gave him the idea to make it a national holiday. On May 5, 1868, in his capacity as commander-in-chief of the Grand Army of the Republic, a veterans' organization, Logan issued a proclamation that "Decoration Day" be observed nationwide. It was observed for the first time on May 30 of the same year; the date was chosen because it was not the anniversary of a battle. The tombs of fallen Union soldiers were decorated in remembrance.
Many of the states of the U.S. South refused to celebrate Decoration Day, due to lingering hostility towards the Union Army and also because there were relatively few veterans of the Union Army who were buried in the South. A notable exception was Columbus, Mississippi, which on April 25, 1866 at its Decoration Day commemorated both the Union and Confederate casualties buried in its cemetery.





The alternative name of "Memorial Day" was first used in 1882. It did not become more common until after World War II, and was not declared the official name by Federal law until 1967. On June 28, 1968, the United States Congress passed the Uniform Holidays Bill, which moved three holidays from their traditional dates to a specified Monday in order to create a convenient three-day weekend. The holidays included Washington's Birthday, now celebrated as Presidents' Day; Veterans Day, and Memorial Day. The change moved Memorial Day from its traditional May 30 date to the last Monday in May. The law took effect at the federal level in 1971.






The Purple Heart is a United States military decoration awarded in the name of the President to those who have been wounded or killed while serving on or after April 5, 1917 with the U.S. military. The National Purple Heart Hall of Honor is located in New Windsor, New York. The original idea for the Purple Heart (the Badge of Military Merit) is the oldest symbol and award that is still given to members of the U.S. military, surpassed in history only by the long obsolete Fidelity Medallion.
The original Purple Heart, designated as the Badge of Military Merit, was established by George Washington—then the commander-in-chief of the Continental Army—by order from his Newburgh, New York headquarters on August 7, 1782. The actual order includes the phrase, "Let it be known that he who wears the military order of the purple heart has given of his blood in the defense of his homeland and shall forever be revered by his fellow countrymen." The Badge of Military Merit was only awarded to three Revolutionary War soldiers and fell into disuse following the War of Independence. Although never abolished, the award of the badge was not proposed again officially until after World War I.






On October 10, 1927, Army Chief of Staff General Charles Pelot Summerall directed that a draft bill be sent to Congress "to revive the Badge of Military Merit". The bill was withdrawn and action on the case ceased on January 3, 1928, but the office of the Adjutant General was instructed to file all materials collected for possible future use. A number of private interests sought to have the medal reinstituted in the Army. One of these was the board of directors of the Fort Ticonderoga Museum in Ticonderoga, New York.
On January 7, 1931, Summerall’s successor, General Douglas MacArthur, confidentially reopened work on a new design, involving the Washington Commission of Fine Arts. This new design was issued on the bicentennial of George Washington's birth. Elizabeth Will, an Army heraldic specialist in the Office of the Quartermaster General, was named to redesign the newly revived medal, which became known as the Purple Heart. Using general specifications provided to her, Will created the design sketch for the present medal of the Purple Heart. Her obituary, in the February 8, 1975 edition of the Washington Post newspaper, reflects her many contributions to military heraldry.
The Commission of Fine Arts solicited plaster models from three leading sculptors for the medal, selecting that of John R. Sinnock of the Philadelphia Mint in May 1931. By Executive Order of the President of the United States, the Purple Heart was revived on the 200th Anniversary of George Washington's birth, out of respect to his memory and military achievements, by War Department General Orders No. 3, dated February 22, 1789. The Purple Heart award is a heart-shaped medal within a gold border, 1 3⁄8 inches (35 mm) wide, containing a profile of General George Washington. Above the heart appears a shield of the coat of arms of George Washington (a white shield with two red bars and three red stars in chief) between sprays of green leaves. The reverse consists of a raised bronze heart with the words FOR MILITARY MERIT below the coat of arms and leaves. The ribbon is 1 and 3⁄8 inches (35 mm) wide and consists of the following stripes: 1⁄8 inch (3 mm) white 67101; 1 1⁄8 inches (29 mm) purple 67115; and 1⁄8 inch (3 mm) white 67101. As with other combat medals, multiple awards are denoted by award stars for the Navy, Marine Corps, or Coast Guard, or oak leaf clusters for the Army and Air Force.
The criteria were announced in a War Department circular dated February 22, 1932 and authorized award to soldiers, upon their request, who had been awarded the Meritorious Service Citation Certificate, Army Wound Ribbon, or were authorized to wear Wound Chevrons subsequent to April 5, 1917, the day before the United States entered World War I. The first Purple Heart was awarded to MacArthur. During the early period of American involvement in World War II (December 7, 1941-September 22, 1943), the Purple Heart was awarded both for wounds received in action against the enemy and for meritorious performance of duty. With the establishment of the Legion of Merit, by an Act of Congress, the practice of awarding the Purple Heart for meritorious service was discontinued. By Executive Order 9277, dated December 3, 1942, the decoration was extended to be applicable to all services and the order required that regulations of the Services be uniform in application as far as practicable. This executive order also authorized the award only for wounds received. AR 600-45, dated September 22, 1943, and May 3, 1944 identify circumstances required to meet in order to be eligible for the Purple Heart for military and civilian personnel during World War II era.

The Corpse Flower

Corpse flower or giant corpse flower can refer to either of two flowering plants:
The genus Rafflesia, which contains the species Rafflesia arnoldii, the largest single flower in the world.
The species Amorphophallus titanum, also known as the Titan arum, which has the largest unbranched inflorescence in the world. The titan arum or Amorphophallus titanum (from Ancient Greek amorphos, "without form, misshapen" + phallos, "penis", and titan, "giant") is a flowering plant with the largest unbranched inflorescence in the world. The largest single flower is borne by the Rafflesia arnoldii; the largest branched inflorescence in the plant kingdom belongs to the Talipot palm (Corypha umbraculifera). It thrives at the edges of rainforests near open grasslands. Though found in many botanic gardens around the world it is still indigenous only to the tropical forests of Sumatra. Due to its fragrance, which is reminiscent of the smell of a decomposing mammal, the titan arum is also known as a carrion flower, the "Corpse flower", or "Corpse plant" (in Indonesian, "bunga bangkai" – bunga means flower, while bangkai means corpse or cadaver; for the same reason, the same title is also attributed to Rafflesia which, like the titan arum, also grows in the rainforests of Sumatra).





The titan arum's inflorescence can reach over 3 metres (almost 10 ft.) in circumference. Like the related cuckoo pint and calla lily, it consists of a fragrant spadix of flowers wrapped by a spathe, which looks like the flower's single petal. In the case of the Titan Arum, the spathe is green on the outside and dark burgundy red on the inside, and deeply furrowed. The spadix is hollow and resembles a large loaf of French bread. The upper, visible portion of the spadix is covered in pollen, while its lower extremity is spangled with bright red-orange carpels. The "fragrance" of the inflorescence resembles rotting meat, attracting carrion-eating beetles and Flesh Flies (family Sarcophagidae) that pollinate it. The flower's deep red color and texture contribute to the illusion that the spathe is a piece of meat. During bloom, the tip of the spadix is approximately human body temperature, which helps the perfume volatilize; this heat is also believed to assist in the illusion that attracts carcass-eating insects.
Both male and female flowers grow in the same inflorescence. The female flowers open first, then a day or two following, the male flowers open. This prevents the flower from self-pollinating.
After the flower dies back, a single leaf, which reaches the size of a small tree, grows from the underground corm. The leaf grows on a semi-green stalk that branches into three sections at the top, each containing many leaflets. The leaf structure can reach up to 6 m (20 ft) tall and 5 m (16 ft) across. Each year, the old leaf dies and a new one grows in its place. When the corm has stored enough energy, it becomes dormant for about 4 months. Then, the process repeats.

Ah Toy ~ San Francisco's Notorious Madame

Ah Toy (c.1828 - 1928) was a Cantonese prostitute and madam in San Francisco during the California Gold Rush, and purportedly the first Chinese prostitute in San Francisco. Arriving from Hong Kong in 1849, she quickly became the most well-known Asian woman in the Old West. She reportedly was a tall, attractive woman with bound feet.
When Ah Toy left China for the United States, she originally traveled with her husband, who died during the voyage. Toy became the mistress of the ship's captain, who showered gold upon her, so much so that by the time she arrived in San Francisco, Toy had a fair bit of money. Noticing the looks she drew from the men in her new town, she figured they would pay for a closer look. Her peep shows became quite successful, and she eventually became a high-priced prostitute. Toy then opened a chain of brothels, importing girls from China as young as eleven years old to work in them.




According to one article on her life:
Ah Toy became familiar with early California's judicial system. Her first court appearance went mostly unnoticed. Her second left more of an impression. It has been recorded that she entered the court dressed in an "apricot satin jacket and willow-green pantaloons." On her small tightly bound feet was a colorful pair of tabis. Her raven hair was arranged in a chignon, while her eyebrows were black and pencil thin. The whole colorful picture contrasted with her white cheeks that had been rice-powdered.

She was in court this day because some miners had paid her with brass filings instead of gold. Before Ah Toy could explain the nature of her complaint the judge asked why arriving miners ran to Ah Toy's residence? Unfortunately, her reply has been lost but a newspaper reporter paraphrased a more exact solution. "They came to gaze upon the countenance of the charming Ah Toy," he wrote. Some miners came to do more than look.

You see, Ah Toy was a prostitute. For the miners who only wanted to look the price was one ounce of gold which was about $16.00. This form of entertainment was called a "lookee." Often this gazing option was advertised as a "two bittee lookee," which differed from a "flo bittee feelee," or a "six bittee doee."



Towards the end of her life she supposedly returned to China a wealthy woman to live the rest of her days in comfort, but returned to California not long afterward. From 1868 until her death in 1928, she lived a quiet life in Santa Clara County, returning to public attention only upon dying three months short of her hundredth birthday in San Jose

Requiem for a Vampire

So, I just killed my afternoon by watching this 1971 Czech horror flick, and I just gotta ask: what the HELL was THAT about?!

One hour and twenty eight minutes of watching two scantily clad schoolgirls with guns romp across the countryside, doff their clothes at every available opportunity and evade the horny grasp of everyone who crosses their path, mostly without success.

My advice: just rent a porno and be done with it.