Monday, May 2, 2011

Chick Webb and his Orchestra- When America was Swinging.


Chick Webb was considered one of the giants of swing back in the late 20’s & 30’s. His music was very upbeat and fun for its time. Some blushed (the older generation) at this type of music with strong thumping and kids dancing with their partner in the most un-lady like ways. Why, was this devils music? If it was the devils music, he sure has good taste!






Chick was mentored by Duke Ellington, toured with Louis Armstrong, argued with Jelly Roll Morton, jammed with Artie Shaw, married a beautiful dancer, discovered and practically adopted Ella Fitzgerald, beat Benny Goodman and Count Basie in legendary battle of the bands.


The Savoy Ballroom was the home of the amazing Lindy Hop dancers, and the first venue in America where Blacks and Whites could dance and socialize together. The Savoy opened in 1926 and was an almost instant sensation. It was enormous – two stories high, with a ballroom that spanned almost an entire city block. It comfortably held over 4,000 dancers, while on one jam-packed occasion it was reported that over 15,000 fans crowded in. There were two bandstands, one that could hold a full dance band and another one for smaller groups. Chick Webb and his orchestra became the main house band. Born fatherless and poor, Chick Webb broke his back, developed spinal tuberculosis, and was a hunchbacked dwarf in constant pain, yet he virtually invented modern drumming and built the hottest band of the 1930s (it was the Savoy Ballroom’s “house band”).





Passing away at the young age of 30, Chick’s brief, inspiring life illuminates the society-changing power of music and the ability of everyone (with or without disabilities) to reach beyond their apparent limits.

The Savoy’s existence was all too short, just like Chick Webb’s band. Its heyday ended in the 1940s along with so many other famed big-band venues. The Savoy persevered with bebop and more dance contests but by 1958 it fell victim to changing tastes and urban renewal. The block was torn down and replaced with an apartment complex. For decades there was nothing to remind passersby of the history that took place between 140th and 141st Streets. Finally, a renewed interest in Harlem’s history led the apartment complex to be renamed Savoy Park, and a commemorative plaque was put up. The name also lives on in many other ballrooms around the United States, Britain, and Australia, and in dozens of dance steps and songs still being performed.

If you can find Chick Webb and his Orchestra- “Stomping at the Savoy” I strongly recommend this 4 cd set. It will keep you swinging with its driving beats and songs that make you feel like you stepped back in time.

tinawinter.gts@gmail.com

Tuesday, April 12, 2011

Bedlam- Bethlehem Hospital

The Gothic Tea Society www.gothicteasociety.com


A place so notorious, it's name is synonymous with 'uproar and confusion'. Bedlam- many of us have used the term. Here is the story behind it. A recent article about a macabre but fantastic archeological find in the old footprint of Bedlam can be seen HERE





Wiki says: The Bethlem Royal Hospital is a psychiatric hospital located in London, United Kingdom and part of the South London and Maudsley NHS Foundation Trust. Although no longer based at its original location, it is recognised as the world's first and oldest institution to specialise in mental illnesses. It has been variously known as St. Mary Bethlehem, Bethlem Hospital, Bethlehem Hospital and Bedlam. 

The Hospital is closely associated with King's College London and in partnership with the King's College London Institute of Psychiatry is a major centre for psychiatric research. It is part of both the King's Health Partners academic health science centre and the NIHR Biomedical Research Centre for Mental Health. 

The word bedlam, meaning uproar and confusion, is derived from its name. Although the hospital is now at the forefront of humane psychiatric treatment, for much of its history it was notorious for cruelty and inhumane treatment – the epitome of what the term "madhouse" connotes to the modern reader.





Bethlem has been a part of London since 1247, first as a priory for the sisters and brethren of the Order of the Star of Bethlehem, from where the building took its name. Its first site was in Bishopsgate (where Liverpool Street station now stands). In 1337 it became a hospital, and it admitted some mentally ill patients from 1357, but did not become a dedicated psychiatric hospital until later. 

Early sixteenth century maps show Bedlam, next to Bishopsgate, as a courtyard with a few stone buildings, a church and a garden. Conditions were consistently dreadful, and the care amounted to little more than restraint. There were 31 patients and the noise was "so hideous, so great; that they are more able to drive a man that hath his wits rather out of them." Violent or dangerous patients were manacled and chained to the floor or wall. Some were allowed to leave, and licensed to beg.

 It was a Royal hospital, but controlled by the City of London after 1557, and managed by the Governors of Bridewell. Day to day management was in the hands of a Keeper, who received payment for each patient from their parish, livery company, or relatives. In 1598 an inspection showed neglect; the "Great Vault" (cesspit) badly needed emptying, and the kitchen drains needed replacing. There were 20 patients there, one of whom had been there over 25 years. 

In 1620, patients of Bethlem banded together and sent a "Petition of the Poor Distracted People in the House of Bedlam (concerned with conditions for inmates)" to the House of Lords. 




The Hospital became famous and notorious for the brutal ill-treatment meted out to the mentally ill. In 1675 Bedlam moved to new buildings in Moorfields designed by Robert Hooke, outside the City boundary. The playwright Nathaniel Lee was incarcerated there for five years, reporting that: "They called me mad, and I called them mad, and damn them, they outvoted me." 

The inmates were first called "patients" in 1700, and "curable" and "incurable" wards were opened in 1725-34. In the 18th century people used to go to Bedlam to stare at the lunatics. For a penny one could peer into their cells, view the freaks of the "show of Bethlehem" and laugh at their antics. Entry was free on the first Tuesday of the month. In 1814 alone, there were 96,000 such visits.

More on what it was like inside Bedlam can be found HERE at the Royal College of Physicians.

Monday, April 4, 2011

Doll House

The Gothic Tea Society www.gothicteasociety.com











Friday, March 25, 2011

Triangle Shirtwaist Factory Fire 100 Years Ago Today

The Gothic Tea Society www.gothicteasociety.com


100 Years ago today there was a terrible tragedy. A fire killed 146 workers, mostly female immigrants.
For a modern article on the 100 year remembrance go HERE



Wiki says: The Triangle Shirtwaist Factory fire in New York City on March 25, 1911, was the deadliest industrial disaster in the history of the city of New York and resulted in the fourth highest loss of life from an industrial accident in U.S. history. The fire caused the deaths of 146 garment workers, who either died from the fire or jumped to their deaths. Most of the victims were recent immigrant Jewish and Italian women aged sixteen to twenty-three.  Many of the workers could not escape the burning building because the managers had locked the doors to the stairwells and exits. People jumped from the eighth, ninth, and tenth floors. The fire led to legislation requiring improved factory safety standards and helped spur the growth of the International Ladies' Garment Workers' Union, which fought for better working conditions for sweatshop workers. 





The factory was located in the Asch Building, at 29 Washington Place, now known as the Brown Building, which has been designated a National Historic Landmark and a New York City landmark.

The Triangle Waist Company factory occupied the eighth, ninth, and tenth floors of the Asch Building on the northwest corner of Greene Street and Washington Place, just to the east of Washington Square Park, in the Greenwich Village area of New York City. Under the ownership of Max Blanck and Isaac Harris, the factory produced women's blouses, known as "shirtwaists." The factory normally employed about 500 workers, mostly young immigrant women, who worked nine hours a day on weekdays plus seven hours on Saturdays. As the workday was ending on the afternoon of Saturday, March 25, 1911, a fire flared up at approximately 4:45 PM in a scrap bin under one of the cutter's tables at the northeast corner of the eighth floor.





A large crowd of bystanders gathered on the street, witnessing sixty-two people jumping or falling to their deaths from the burning building. Louis Waldman, later a New York Socialist state assemblyman, described the scene years later:

One Saturday afternoon in March of that year — March 25, to be precise — I was sitting at one of the reading tables in the old Astor Library... It was a raw, unpleasant day and the comfortable reading room seemed a delightful place to spend the remaining few hours until the library closed. I was deeply engrossed in my book when I became aware of fire engines racing past the building. By this time I was sufficiently Americanized to be fascinated by the sound of fire engines. Along with several others in the library, I ran out to see what was happening, and followed crowds of people to the scene of the fire. 




A few blocks away, the Asch Building at the corner of Washington Place and Greene Street was ablaze. When we arrived at the scene, the police had thrown up a cordon around the area and the firemen were helplessly fighting the blaze. The eighth, ninth, and tenth stories of the building were now an enormous roaring cornice of flames. 






Word had spread through the East Side, by some magic of terror, that the plant of the Triangle Waist Company was on fire and that several hundred workers were trapped. Horrified and helpless, the crowds — I among them — looked up at the burning building, saw girl after girl appear at the reddened windows, pause for a terrified moment, and then leap to the pavement below, to land as mangled, bloody pulp. This went on for what seemed a ghastly eternity. Occasionally a girl who had hesitated too long was licked by pursuing flames and, screaming with clothing and hair ablaze, plunged like a living torch to the street. Life nets held by the firemen were torn by the impact of the falling bodies. 

The emotions of the crowd were indescribable. Women were hysterical, scores fainted; men wept as, in paroxysms of frenzy, they hurled themselves against the police lines. 





The remainder waited until smoke and fire overcame them. The fire department arrived quickly but was unable to stop the flames, as there were no ladders available that could reach beyond the sixth floor. The fallen bodies and falling victims also made it difficult for the fire department to approach the building.




Wednesday, March 23, 2011

International Sweethearts of Rhythm


I heard an interesting piece on the radio about these ladies. They are fabulous!

The International Sweethearts of Rhythm was the first integrated all women's band in the United States. During the 1940s the band featured some of the best female musicians of the day. They played swing and jazz on a national circuit that included the Apollo Theater in New York City, the Regal Theater in Chicago, and the Howard Theater in Washington, DC. After a performance in Chicago in 1943, the Chicago Defender announced the band was, "One of the hottest stage shows that ever raised the roof of the theater!" More recently, they have been labeled "the most prominent and probably best female aggregation of the Big Band era.


Tuesday, March 22, 2011

Ghost Pictures

I always like to look at things like this. Its interesting to see if you can figure out what the "ghost" is or if it's beyond explanation. This site has a section where they show fake or explainable "ghost pictures"


Ghost Pictures

Saturday, March 19, 2011

Titanic Conspiracy Theories

Conspiracy theories usually piss me off. But the other day I was watching a show on the Titanic and decided to check out if there were any conspiracy theories regarding that death ship. There are! Some of them are pretty interesting. My favorite is that the ship was actually switched with another ship. I think it ended up being proved as false..but it's still interesting to read about. Theres even one that involves a mummy.


Titanic Conspiracy Theories

Thursday, March 17, 2011

Civilization

Pretty cool group of pictures here. Not gothic or anything...but really neat to see.


Infrastructure

Make Your Own Camera Obscura

I found this really cool "how to" article online today. If you make one be sure to share your pictures!


Make Your Own Camera Obscura

Monday, March 14, 2011

Dollmakers- The Doll Show


I am really going to try and go by here before April 5th.


Here is an article about the show from the Eagle Rock Patch
The Gallery of the Dolls (Move Over American Girl)
A doll-themed art show opens at Cactus Gallery—from Goth to Mexican folk art, there's enough doll power on display to make Barbie tremble.
By Philipp Sander 

Usually, the place to find dolls is children's bedrooms, and perhaps the corresponding aisle at Toys 'R' Us. Throughout the remainder of March and until April 5, however, Eagle Rock’s Cactus Gallery is a pretty sure bet, too.

Celebrating its sixth birthday, the gallery opened a new show, titled “Dollmakers,” on Saturday, featuring 26 artists from all over the Golden State and more than 200 pieces of their art. The event coincided with NELAart’s monthly Second Saturday Gallery Night.

For an art gallery that specializes in multimedia, painting and sculpture, it might seem a little unusual to put on a show themed around dolls. But as Sandra Mastroianni, the owner of Cactus Gallery, put it: “It just was time to do a doll show.”

The dolls certainly struck a nerve with visitors. The small gallery was packed with artists, art lovers and Eagle Rockers, who gazed in awe at the wide range of doll styles on display while a duo of musicians, Tom Page and 5 Track, on double bass and guitar, respectively, jammed in front of the store. (Check out the photo section.)

Several artists injected a Gothic look in their dolls, giving them white, porcelain-like faces, gaunt eyes and Victorian-era clothing, all of which echoed the Victorian practice of using deceased infants' skeletons for doll-making.

For Sheri DeBow, whose dolls were eerily reminiscent of Helena Bonham-Carter's appearance in the Harry Potter series and in Sweeney Todd (although the likeness is surely coincidental), working with dolls isn’t very different from parenting—and without any of the labors of motherhood.

“After having five kids, I still can create things without having to be pregnant anymore,” she said. Creating dolls can also be a form of self-expression, as one of her pieces, titled “Annie Droid, do what you are told,” makes clear. It reflects her “wearing the mom hat, wearing the wife hat, but also being myself,” as DeBow put it. Her dolls are also inspired by the lives of her children. For example, one of her pieces, “The princess of the palace runs away from home,” revolves around the emotional problems that her daughter faced during DeBow's divorce.

Some artists chose to work only with cloth, sowing modern stuffed figures in pop-art colors. Also well represented were artists who were inspired by Mexican folk art, presenting giant mosaic-decorated clay skulls and Día de los Muertos figurines. Another unusual sight: Claymation animator Edgar Alvarez created studies of homeless persons, complete with shopping carts filled with eclectic items, thereby shining a light on an often-forgotten group in our society.

Clearly, dolls mean different things to different people. “Dolls can be creepy and they can be happy—I try to show both aspects in my work,” said one artist who goes by the name Bastet 2329 and whose Victorian dolls are one of the highlights of the show. Asked why she works with dolls—she also is a painter—she answered, with a smile: “I get to play with dolls all day. Isn't that every girl's dream?”

Dollmakers runs until April 5 at Cactus Gallery and Gifts, 4536 Eagle Rock Blvd. Tues-Sat: 11a.m.-6 p.m. Sun-Mon: by appointment.

Tuesday, March 8, 2011

Water for Elephants

If you like stories of the good ol' days of the circus, then you should thoroughly enjoy the book, "Water for Elephants." The main character tells the story of his youth, and how he came to be a part of the Benzini Brothers Most Spectacular Show on Earth. So much research was done by the author to really let you have a peek into the daily life of a depression era railroad traveling circus, from the sideshow freaks to the cooch show and on to the Big Top, the characters are colorful and interesting. So, I highly recommend that you pick up a copy even if you just want to kill some time on a rainy day.





http://www.amazon.com/Water-Elephants-Novel-Sara-Gruen/dp/1565125606/ref=sr_1_1?s=books&ie=UTF8&qid=1299635810&sr=1-1

Sunday, March 6, 2011

The Motionless Dream



This lovely book is available now. I sent for my own copy the moment it was available. I love it.  The book can be ordered HERE
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